Cut through
all that gritty shooting and this is a lovely story. The tale of two boys in
Rio de Janero as they graduate from boys to men is both warming and disturbing as they unlock the secrets of their past, against the background of poverty,
deprivation and flying bullets. In a way they circumvent the violence, the drug
gangs and the intimidation and live their lives in a separate bubble where
hope, humour and love triumph over the general sense of nastiness. Both boys
put in determined and believable acting shifts and are always natural, likeable
and in the end we really care about their fates.
All the other
characters may or may not be ‘actors’ as is often the norm in South American
grit-drama, but all are enthralling and never break the veil of reality. The
city is almost a character in its own right and from the sunshine of the beach
to the ramshackle homes in the favela, the director lovingly depicts and
portrays both its visual beauty and its inherent issues with equal measures of
sensitivity and shock factor. It’s an intelligent piece of film making that
allows us to understand the actions of the characters even if we can’t
empathise with them.
All in all,
it’s a great film, and as with all the best gritty films it tempers all that
unsavouriness with lashings of hope. It’s a recipe for a satisfying viewing
experience for grit-fans across the globe. It’s nowhere near as good as City of God, but it’s head and shoulders above the likes of Gomorrah. Add some brutal Elite Squad style
cops, a seedy nightclub lavatory scene and Gael Garcia Bernal in a Zorro mask
and you’d be looking at a 10/10, but as it stands, it’s a…
8/10Doccortex
If you like this you could also try:
City of God, Gomorrah.
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